Monthly Archives: May 2012

Best Quotes from the Charles Bukowski Novel Pulp


Charles Bukowski Pulp Quotes

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Charles Bukowski’s final novel Pulp stands apart from the five that preceded it (Post Office, Factotum, Women, Ham on Rye and Hollywood) in several ways. For one, it is the only novel in the Bukowski oeuvre without Henry Chinaski, Charles Bukowski’s alter-ego, as protagonist.

Pulp is instead narrated by L.A. private detective Nick Belane. Belane bumbles his way into solving cases, and has a good bit in common with Chinaski. He plays the horses, he’s a self professed drunk, and he’s no stranger to bar fights. You can see Nick Belane and Henry Chinaski inhabiting the same world quite easily.

Then you realize, in fact, they do. They know one another, it seems, as Henry Chinaski does make an appearance, albeit in name only. A bartender tells Belane, “You’re lucky…you just missed that drunk Chinaski. He was in here bragging about his new Pelouze postage scale.”

Whereas the Henry Chinaski novels’ action center mostly around Chinaski trying to become a writer while also working shit jobs (and later trying to deal with being a somewhat famous writer), here the action is driven by Belane’s attempts to solve a number of strange cases.

He must find out if a man who looks like deceased French writer Louis-Ferdinand Céline is really Céline, for a beautiful woman named Lady Death; he must find The Red Sparrow, a seemingly supernatural bird; he has to get an alien woman to stop controlling a man she’s fallen for here on earth and even a standard cheating wife case gets complicated and otherworldly.

Pulp is written in the typical pulp detective novel style, and seems to be a send up and homage in one. It is “Dedicated to bad writing.”

It also seems to be, as most critics agree, a work through which Bukowski was trying to process his own impending death. Mortality and futility are the main themes of the novel.

Pulp was written over several years, beginning in 1991. Bukowski was diagnosed with leukemia in the spring of 1993, when he was 3/4 of the way finished with the book. It was published shortly before his death, in 1994.

 

Best Charles Bukowski Pulp Quotes

 

“Sometimes I felt that I didn’t even know who I was. All right, I’m Nicky Belane. But check this. Somebody could yell out, ‘Hey, Harry! Harry Martel!’ and I’d most likely answer, ‘Yeah, what is it?’ I mean, I could be anybody, what does it matter?”

 

“I got lost somehow, began staring up her legs. I was always a leg man. It was the first thing I saw when I was born. But then I was trying to get out. Ever since I have been working in the other direction and with pretty lousy luck.”

 

Charles Bukowski Pulp Japanese Version

The Japanese version of Pulp, by Charles Bukowski.

“I was gifted, am gifted. Sometimes I looked at my hands and realized that I could have been a great pianist or something. But what have my hands done? Scratched my balls, written checks, tied shoes, pushed toilet levers, etc. I have wasted my hands. And my mind.”

 

“Man was born to die. What did it mean? Hanging around and waiting. Waiting for the ‘A train.’ Waiting for a pair of big breasts on some August night in a Vegas hotel room. Waiting for the mouse to sing. Waiting for the snake to grow wings. Hanging around.”

 

“Hell was what you made it.”

 

“The whole thing was crazy. Lady Death was crazy. I was crazy. The pilots of airliners were crazy. Never look at the pilot. Just get on board and order drinks.”

 

“Sex was a trap, a snare. It was for animals.”

 

“What was wrong with me? Was this dame getting to me? She had intestines like everybody else. She had nostril hairs. She had wax in her ears. What was the big play?”

 

“Life wore a man out, wore a man thin.
Tomorrow would be a better day.”

 

“’In the old days,’ he said, ‘writers’ lives were more interesting than their writing. Now-a-days neither the lives nor the writing is interesting.’”

 

“I had to think. I tried to think. The fly was still crawling along the desk. I rolled up the Racing Form, took a swat at it and missed. It wasn’t my day. My week. My month. My year. My life.”

 

“Born to die. Born to live like a harried chipmunk. Where were the chorus girls? Why did I feel like I was attending my own funeral?”

 

“He reached into my cigar box, took one out, unpeeled it, bit off the end, took out a lighter, lit up, inhaled, then exhaled a gorgeous plume of smoke.
‘They sell those things, you know,’ I told him.
‘What don’t they sell?’
‘Air. But they will…’”

 

“You only live once, right? Well, except for Lazarus. Poor sucker, he had to die twice.”

 

“I killed four flies while waiting. Damn, death was everywhere. Man, bird, beast, reptile, rodent, insect, fish didn’t have a chance. The fix was in. I didn’t know what to do about it. I got depressed. You know, I see a box boy at the supermarket, he’s packing my groceries, then I see him sticking himself into his own grave along with the toilet paper, the beer and the chicken breasts.”

 

“’You won’t laugh at me like the police did?’
‘Nobody laughs like the police, Mr. Grovers.’”

 

“Now all that I can tell you is that there are billions of women on earth, right? Some look all right. Most look pretty good. But every now and then nature pulls a wild trick, she puts together a special woman, an unbelievable woman. I mean, you look and you can’t believe. Everything is perfect undulating movement, quicksilver, snake-like, you see an ankle, you see an elbow, you see a breast, you see a knee, it all melds into a giant, taunting totality, with such beautiful eyes smiling, the mouth turned down a bit, the lips held there as if they were about to burst into laughter over your helplessness. And they know how to dress and their long hair burns the air. Too god-damned much.”

 

“Passed the Turf Club. Looked in. Just a bunch of old guys. With money. How did they do it? And how much did you need? And what did it all mean? We all died broke and most of us lived that way. It was a debilitating game. Just to get your shoes on in the morning was a victory.”

 

“Something was always after a man. It never relented. No rest, ever.”

 

“Teeth. What god-damned things they were. We had to eat. And eat and eat again. We were all disgusting, doomed to our dirty little tasks. Eating and farting and scratching and smiling and celebrating holidays.”

 

“I decided to stay in bed until noon. Maybe by then half the world would be dead and it would only be half as hard to take.”

 

“I was alone with myself. And disgusting as I was it was better than being with somebody else, anybody else, all of them out there doing their pitiful little tricks and handsprings.”

 

“We waited and waited. All of us. Didn’t the shrink know that waiting was one of the things that drove people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn’t have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink’s office with a bunch of psychos and you wondered if you were one.”

 

“Getting out of bed in the morning was the same as facing the blank wall of the Universe.”

 

“But trouble and pain were what kept a man alive. Or trying to avoid trouble and pain. It was a full time job. And sometimes even in sleep you couldn’t resist.”

 

“The best interpreter of the dream is the dreamer. Keep your money in your pocket. Or bet it on a good horse.”

 

“I wasn’t dead yet, just in a state of rapid decay. Who wasn’t? We were all in the same leaky boat, jollying ourselves up.”

 

“’You’re a lousy philosopher,’ said Lady Death.
‘For me,’ I told her, ‘I’m perfect.’
‘People live on their delusions,’ she said.
‘Why not?’ I suggested. ‘What else is there?’
‘The end of them,’ she said.”

 

“Existence was not only absurd, it was plain hard work.”

 

Pulp Charles Bukowski“‘What kind of dick are you?’ Celine asked.
‘The best in L.A.’
‘Yes? What’s L.A. stand for?’
‘Lost Assholes.’
‘You been drinking?’
‘Recently,’ I answered.”

 

“I heard the siren then. It’s when you don’t hear it, it’s for you.”

 

“I got to thinking about solutions in life. People who solved things usually had lots of persistence and some good luck. If you persisted long enough, the good luck usually came. Most people couldn’t wait on luck, though, so they quit.”

 

“There’s always somebody about to ruin your day, if not your life.”

 

“Everybody was screwed. There were no winners. There were only apparent winners. We were all chasing after a lot of nothing. Day after day. Survival seemed the only necessity. That didn’t seem enough. Not with Lady Death waiting.”

 

“‘You a pimp?’
‘Oh, no, sir.’
‘You sell drugs?’
‘No, sir.’
‘Wish you did. I need some coke.’
‘I’m a bible salesman, sir.’
‘That’s disgusting!’
‘Just trying to spread the word.’
‘Well, don’t spread that shit around me.’”

 

“But what did it really matter who screwed who? It was finally all so drab. Fuck, fuck, fuck.”

 

“Well, people got attached. Once you cut the umbilical cord they attached to other things. Sight, sound, sex, money, mirages, mothers, masturbation, murder and Monday morning hangovers.”

 

“I should have been a great philosopher, I would have told them how foolish we were, standing around sucking air in and out of our lungs.”

 

“Most of the world was mad. And the part that wasn’t mad was angry. And the part that wasn’t mad or angry was just stupid. I had no chance. I had no choice. Just hang on and wait for the end. It was hard work. It was the hardest work imaginable.”

 

“Two women meant twice as much trouble as one woman.”

 

“Why couldn’t I be just some guy sitting watching a baseball game? Involved in the outcome. Why couldn’t I be a fry cook scrambling eggs and acting detached? Why couldn’t I be a fly on some person’s wrist, crawling along sublimely involved? Why couldn’t I be a rooster in a chicken pen pecking at seed? Why this?”

 

“‘We’ve thought it over, it’s just awful. We don’t want to colonize your earth.’
‘What’s too awful, Jeannie?’
‘The earth. Smog, murder, the poisoned air, the poisoned water, the poisoned food, the hatred, the hopelessness, everything. The only beautiful thing about the earth is the animals and now they are being killed off, soon they will be gone except for pet rats and race horses. It’s so sad, no wonder you drink so much.’
‘Yeah, Jeannie. And don’t forget our atomic stockpiles.’
‘Yes, you’ve dug yourself in too deep, it seems.’
‘Yes, we could be gone in two days or we might last another thousand years. We don’t know which and so it’s hard for most people to care about anything.’”

 

“All in all, I had pretty much done what I had set out to do in life. I had made some good moves. I wasn’t sleeping on the streets at night. Of course, there were a lot of good people sleeping in the streets. They weren’t fools, they just didn’t fit into the needed machinery of the moment. And those needs kept altering. It was a grim set-up and if you found yourself sleeping in your own bed at night, that alone was a precious victory over the forces. I’d been lucky but some of the moves I’d made had not been entirely without thought. But all in all it was a fairly horrible world and I felt sad, often, for most of the people in it.”

 

“Often the best parts of life were when you weren’t doing anything at all, just mulling it over, chewing on it. I mean, say that you figure everything is senseless, then it can’t be quite senseless because you are aware that it’s senseless and your awareness of senselessness almost gives it sense.”

 

Charles Bukowski Pulp French Edition

French edition of Pulp, by Charles Bukowski

“Definition of a nice neighborhood: a place you couldn’t afford to live in.”

 

“Most men don’t live well at all, they just wear down.”

 

“‘But he said he was going to kill you, didn’t you hear him?’
‘He probably didn’t mean it.’
‘You don’t go on ‘probably’ when love and guns are in hand.’”

 

“I was back with my old friend, scotch and water. Scotch is a drink you don’t take to right off. But after you work with it a while it kind of works its magic on you. I find a special touch of warmth to it that whiskey doesn’t have.”

 

“I didn’t turn on the tv, I found that when you felt bad that son-of-a-bitch only made you feel worse. Just one vapid face after another, it was endless. An endless procession of idiots, some of them famous. The comedians weren’t funny and the drama was 4th grade.”

 

“My old man had told me, ‘Get into anything where they hand you the money first and then hope to get it back. That’s banking and insurance. Take the real thing and give them a piece of paper for it. Use their money, it will keep coming. Two things drive them: greed and fear. One thing drives you: opportunity.’ Seemed like good advice. Only my father died broke.”

 

“Hell, I’d even failed with women. Three wives. Nothing really wrong each time. It all got destroyed by petty bickering. Railing about nothing. Getting pissed-off over anything and everything. Day by day, year by year, grinding. Instead of helping each other you just sliced away, picking at this or that. Goading. Endless goading. It became a cheap contest. And once you got into it, it became habitual. You couldn’t seem to get out. You almost didn’t want to get out. And then you did get out. All the way.”

 

“I hung up. I stared at the phone. Deathly damned thing. But you needed it to call 911. You never knew.”

 

“Boring damned people. All over the earth. Propagating more boring damned people. What a horror show. The earth swarmed with them.”

 

“‘We could get to know each other,’ she said.
‘It wouldn’t pay off, it would only be stupid.’
‘What makes you say that?’
‘Experience.’”

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Top Five Quotes from the Charles Bukowski Novel Post Office



Post Office Charles Bukowski QuotesPost Office was Charles Bukowski’s first novel, published by Black Sparrow Press in 1971.

The autobiographical book covers the years Bukowski spend working in the post office. Bukowski’s alter ego, Henry Chinaski, starts as a substitute mail carrier. The novel begins, “It began as a mistake.” He hears from a fellow drunk that the post office hires carriers during the Christmas season to handle the extra mail load and at first it seems an easy gig.

Soon it takes a turn into the kind of Factotum hell that Charles Bukowski fans know well, as it shows up later throughout his work.

Post Office covers Bukowski’s life from around 1952 through 1955, when he resigned from the post office, to his return in ’58, then to his final resignation in ’69.

Publisher John Martin formed Black Sparrow Press in order to publish Bukowski’s work, and soon after other writers as well, and offered him $100 a month for life – what Bukowski said he need to live on, including money for child support – if he quit the post office and agreed to write full time. Bukowski agreed to these terms and then took Martin up on his suggestion that he write a novel, as they tend to sell better than poetry and short story collections.

Post Office was the result. Bukowski would follow it with five other novels (Factotum, Women, Ham On Rye, Hollywood, Pulp), a screenplay (for the movie Barfly) and countless poems, short stories and essays.

Top Five Post Office Quotes

“The streets were full of insane and dull people. Most of them lived in nice houses and didn’t seem to work, and you wondered how they did it.”

 

“’I came with some damn fool,’ she said. ‘Forget him.’
‘If you can, I can,’ I told her.”

 

“I went to the bathroom and threw some water on my face, combed my hair. If I could only comb that face, I thought, but I can’t.”

 

“’I still say, go to a small room and write.’
‘BUT I NEED ASSURANCE!’
‘It’s a good thing a few others didn’t think that way. It’s a good thing Van Gogh didn’t think that way.’
‘VAN GOGH’S BROTHER GAVE HIM FREE PAINTS!’ the kid said to me.”

 

“Women were meant to suffer; no wonder they asked for constant declarations of love.”

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MF Bukowski: Charles Bukowski, MF DOOM Mashup



Charles Bukowski MF DOOMOh, mashup culture, how we love thee. But only when you mashup two things we like, which in this case is exactly what has happened. Ladies and gentlemen, introducing MF Bukowski.

MF Bukowski: Charles Bukowski Meets MF DOOM

Who is MF Bukowski, you say? Well, a YouTuber by the username of IloveNoNames has created this awesome mashup of Charles Bukowski and rapper MF DOOM. The words come from one of Bukowski’s most famous poems, “Bluebird” and the track called “Lovage” off the MF DOOM album Special Herbs, Vol. 2.

The poem is read by actor and musician, and friend of Bukowski, Harry Dean Stanton. The audio comes from the Bukowski documentary Born Into This.

What makes this mashup that much greater is that MF DOOM is a Charles Bukowski fan! In fact, he named his 2009 album Born Like This for the first line of Bukowski’s poem “Dinosauria, We,” which he sampled in the track “Cellz.”

He discussed the Bukowski influence in an interview with HipHopDX, saying

I always read a book when I’m doing a record. When I get stuck it gets my stuff going. Bukowski was for this record. I’m reading the Bukowski shit and getting into that dude and his plight and his whole mission as a writer. I watched a documentary [about] that dude [called Born Into This]. He really inspired me, just from how he just did his craft without worrying about [standards]. There’s no standards to what we do, we just do it. Born Like This, that’s why I chose that as the title. Writers are born and we’re not doing it like, “Yeah I think I’ll be a writer today.” We can’t help it. If I had another job, if I was a gardener or a city worker, I would still be writing rhymes and doing my little thing.

Have a listen to the mashup below. We’ve also posted “Lovage” in its entirety, as well as “Cellz.” Let us know what you think of the tracks – both the independently made mashup and the two MF DOOM songs – in the comments below.

If you liked this post, help us spread the word on Facebook, Twitter, G+ and Reddit using the share buttons.

MF Bukowski Video:

 

 

MF DOOM “Lovage” Video:

 

MF DOOM “Cellz” Video:

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Quotes from the Charles Bukowski Short Story Collection Tales of Ordinary Madness



Tales of Ordinary Madness Charles BukowskiTales of Ordinary Madness is a Charles Bukowski short story collection published by poet and publisher Lawrence Ferlinghetti’s famous City Lights Books.

In 1972, City Lights published Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness, the first collection of Bukowski short stories to ever appear in print. In 1983, City Lights republished the book, but split into two separate collections: Tales of Ordinary Madness and The Most Beautiful Woman in Town & Other Stories, both of which remain in print today.

Best Quotes from the Charles Bukowski Book Tales of Ordinary Madness

“‘aren’t there any happy people?’
‘there are many people who pretend that they are happy.’
‘why?’
‘because they are ashamed and frightened and don’t have the guts to admit it.’”

 

“do you believe in the war? he asked me.
no.
are you willing to go to war?
yes.
(I had some crazy idea of getting up out of a trench and walking forward into gunfire until I was killed.)
he didn’t say anything for a long time and kept writing on a piece of paper. Then he looked up.
by the way, next Wednesday night we’re having a party of doctors and artists and writers. I want to invite you. will you come?
no.
all right, he said, you don’t have to go.
go where?
to the war.
I just looked at him.”

 

“Belford stopped outside a bar. We went in. I hated bars. I’d written too many stories and poems about bars. Belford thought he was doing me a favor.

You can get just so much out of bars and they won’t go down anymore. They come up. People in bars were like people in 5 and dime stores: they were killing time and everything else.”

 

“‘Would you suggest writing as a career?’ one of the young students asked me.
‘Are you trying to be funny?’ I asked him.
‘No, no, I’m serious. Would you advise writing as a career?’
‘Writing chooses you, you don’t choose it.’”

 

“You can steal my women but don’t play with my whiskey.”Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness Bukowski

 

“Why was it that the buzz of human beings talking could be so senseless?”

 

“the racetrack is just another JOB, finally, and a hard one too. when I sense this and I am at my best, I simply leave the track; when I sense this and I am not at my best I go on making bad bets. another thing that one should realize is that it is HARD to win at anything; losing is easy. it’s grand to be The Great American Loser – anybody can do it; almost everybody does.”

 

“a man who can beat the horses can do almost anything he makes up his mind to do. he doesn’t belong at the racetrack. he should be on the Left Bank with his mother easel or in the East Village writing an avant-garde symphony. or making some woman happy. or living in a cave in the hills.”

 

“there’s a lot of murky downgrading of Hemingway now by critics who can’t write, and old ratbeard wrote some bad things from the middle to the end, but his head was becoming unscrewed, and even then he made the others look like schoolboys raising their hands for permission to make a little literary peepee. I know why Ernie went to the bull-fights – it was simple: it helped his writing. Ernie was a mechanic: he liked to fix things on paper. the bullfights were a drawing board of everything: Hannibal slapping elephant ass over mountain or some wino slugging his woman in a cheap hotel room. and when Hem got in to the typer he wrote standing up. he used it like a gun. a weapon. the bullfights were everything attached to anything. it was all in his head like a fat butter sun: he wrote it down.

With me, the racetrack tells me quickly where I am weak and where I am strong, and it tells me how I feel that day and it tells me how much we keep changing, changing ALL the time, and how little we know of this.”

 

“one day at a racetrack can teach you more than four years at any university. if I ever taught a class in creative writing, one of my prerequisites would be that each student must attend a racetrack once a week and place at least a 2 dollar win wager on each race. no show betting. people who bet to show REALLY want to stay at home but don’t know how.”

 

“I was working as a packer in a huge factory that turned out thousands of overhead lighting fixtures to blind the world, and knowing the libraries useless and the poets carefully complaining fakes, I did my studying at the bars and boxing matches.”

 

“outside were the parked cars, and the people walking around. none of them read poetry, talked poetry, wrote poetry. for once the masses looked very reasonable to me.”

 

“a woman got out of the car next to me and I watched as her skirt fell back and showed me flashes of white leg above the stockings. one of the world’s greatest works of Art: a woman with fine legs climbing out of her car.”

 

“the workers were hardly human. their eyes were glazed, stricken, insane. they laughed at anything and mocked each other continually. Their insides were stamped out. they had been murdered.
‘those are good men,’ said the cigar.
‘sure they are. half their salaries go to state and federal taxes; the other half goes to new cars, color t.v., stupid wives and 4 or 5 different types of insurance.’”

 

“leaving that building he got the same free and wonderful feeling he got every time he was fired or when he quit a job. leaving that building, leaving them in there – ‘you’ve found a home, Skorski. you never had it so good!’ no matter how shitty the job was, the workers always told him that.”

 

“women always got in the way. they could kill a man in 9,000 different ways.”

 

“show me a man who lives alone and has a perpetually dirty kitchen, and 5 times out of 9 I’ll show you an exceptional man.”

 

“show me a man who lives alone and has a perpetually clean kitchen, and 8 times out of 9 I’ll show you a man with detestable spiritual qualities.”

 

“you begin saving the world by saving one man at a time; everything else is grandiose romanticism or politics.”

 

“since the death of Thurber the New Yorker has been wandering like a dead bat among the ice-cave hangovers of the Chinese red guard. meaning, they’ve had it.”

 

“Out of all the millions of women, now and then you see one that brings it all out of you. There is something about the shape of them, the way they are hung together, a special dress that they are wearing, something about them that you cannot overcome.”

 

“if you don’t have much soul left and you know it, you still got soul.”

 

“then he’d sit down and look across the water and when you looked across the water, everything was hard to believe. say like there was a nation like China or the U.S. or someplace like Vietnam. or that he’d once been a child. no, come to think of it, that wasn’t so hard to believe; he’d had a hell of a childhood, he couldn’t forget that. and the manhood: all the jobs and all the women, and then no woman, and now no job. a bum at 60. finished. nothing. he had a dollar and 20 cents in cash. a week’s rent paid. the ocean…he thought back over the women. some of them had been good to him. others had simply been shrews, scratchers, a little crazy and terribly hard. rooms and beds and houses and Christmases and jobs and singing and hospitals, and dullness, dull days and nights and no meaning, no chance.”

 

“people who come by my place are a bit odd, but then almost everybody’s a bit odd; the world is shaking and trembling more than ever and its effects are obvious.”

 

“I tell him that the problem with revolutions is that they must begin from the INSIDE-out, not from the outside-IN. the first thing these people do in a riot is run and grab a color tv set. They want the same poison that made the enemy a half-wit.”

 

“‘I don’t have any politics. I’m an observer.’
‘it’s a good thing everybody isn’t an observer or we would never get anywhere.’
‘have we gotten somewhere?’
‘I don’t know.’”

 

“human history moves very slowly.”

 

“you can’t move too fast on the big boys or you’ll find yourself whistling Dixie through a cardboard toiletpaper holder at Forest Lawn. but things are changing. the young are thinking better than the old used to think and the old are dying. there’s still a way to do it without everybody getting murdered.”

 

“that’s ONE thing that’s wrong with intellectuals and writers – they don’t feel a hell of a lot except their own comfort or their own pain. which is normal but shitty.”

 

“a coward is a man who can foresee the future. a brave man is almost always without imagination.”

 

“the people come to me, they talk, the fill me: the future Rabbis, the revolutionaries with their rifles, the FBI, the whores, the poetesses, the young poets from Cal State, a professor from Loyola going to Michigan, a prof from the University of Cal at Berkeley, another who lives in Riverside, 3 or 4 boys on the road, plain bums with Bukowski books stashed in their brains…and for a while I thought that this gang would intrude upon and murder my fair and precious moments, but I’ve been lucky lucky for each man and each woman has brought me something and left me something, and I no longer must feel like Jeffers behind a stone wall, and I’ve been lucky in another way for what fame I have is largely hidden and quiet and I’ll hardly ever be a Henry Miller with people camping on my front lawn, the gods have been very good to me, they’ve kept me alive and even, still kicking, taking notes, observing, feeling the goodness of good people, feeling the miracle run up my arm like a crazy mouse. such a life, given to me at the age of 48, even though tomorrow does not know is the sweetest of the sweet dreams.”

 

“bad writing’s like bad women: there’s just not much you can do about it.”

 

“actually, the whole horrible answer was that NOBODY COULD DO ANYTHING – poets couldn’t write poetry, mechanics couldn’t fix cars, dentists couldn’t pull teeth, barbers couldn’t cut hair, surgeons fucked up with the knife, laundries ripped your shirts and sheets and lost your socks; bread and beans had little stones in them that broke the teeth; football players were cowards, telephone repairmen were molesters of children; and mayors, governors, generals, presidents had as much sense as slugs caught in spider webs. and on and on.”

Buy Tales of Ordinary Madness

Buy Tales of Ordinary Madness, by Charles Bukowski

 

 

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